Add to that the fact that there is no audio interface currently available that has Analog-to-Digital and Digital-to-Analog converters that are anything but either 16 or 24 bit and you may begin to wonder - what's the point? Compare that with the 144 dB available from 24 bit recordings and you will realise that it's quite an improvement! In terms of resolution that's a lot more than the human brain could ever decipher. Great! But what does this actually mean and what are the implications for your system?ģ2 bit floating point audio files have a theoretical dynamic range of up to around 1680 dB.
New in Pro Tools 10 is the ability to create 32 floating point audio files when recording, in addition to the 16 and 24 bit options that we are accustomed to.
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